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Art --- violence --- Buonarroti, Michelangelo
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drawings [visual works] --- violence --- Titian
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iconography --- violence --- Painting --- easel paintings [paintings by form] --- Iconography --- Violence in art
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This Element describes the development of an affective economy of violence in the early modern Dutch Republic through the circulation of images. The Element outlines that while violence became more controlled in the course of the 17th century, with fewer public executions for instance, the realm of cultural representation was filled with violent imagery: from prints, atlases and paintings, through theatres and public spectacles, to peep boxes. It shows how emotions were evoked, exploited, and controlled in this affective economy of violence based on desires, interests and exploitation. This title is also available as Open Access on Cambridge Core.
Violence --- Violence in art --- Art --- Economic aspects --- Economic aspects. --- History --- Netherlands --- Iconography --- History of the Netherlands --- violence --- visual culture --- anno 1600-1699
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Iconography --- Painting --- Film --- paintings [visual works] --- film [discipline] --- violence
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Art --- History of Italy --- violence --- Renaissance --- anno 1400-1499 --- Florence --- Violence in art. --- Art, Renaissance --- Art, Italian --- kunstsociologie
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"In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization and European colonization. Contributors include: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges"--
Iconography --- World history --- violence --- political art --- visual culture --- anno 1500-1799 --- Political violence --- Violence in art --- Violence --- Political crimes and offenses --- Terrorism --- Art --- Violence. --- Art. --- In art. --- Themes, motives --- Political aspects --- Thèmes, motifs. --- Aspect politique --- kunst en politiek --- Visual communication --- Themes, motives. --- Political aspects. --- Violence in art.
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Art --- violence --- observation --- Violence in art. --- Arts, European --- Violence dans l'art --- Arts européens --- Themes, motives. --- Thèmes, motifs --- Violence in art --- Themes, motives --- Arts européens --- Thèmes, motifs --- Arts and society --- Arts audiences --- Arts, Medieval --- Arts, Renaissance --- Violence --- Violence in literature --- Violence in the theater --- History --- Psychology --- Theater --- Stage combat --- Violent behavior --- Social psychology --- Renaissance arts --- Arts --- Audiences --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Arts, European - Themes, motives
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"Examines the function of violence in the making of the anatomical image during the early modern era, exploring its effects on the production of knowledge and on concepts of the body"--
Anatomy, Artistic --- Engraving --- Violence in art. --- History. --- History --- Human anatomy --- Art --- anatomy --- violence --- lichaam (van de mens) --- anatomietekenen --- anno 1500-1799
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